2018 Cinema Shame List

For the past week I’ve been thinking about what to include in my Cinema Shame list for 2018. With the change in prompt, I’ve decided to limit the overall picks for the year to provide some wiggle room for additional films throughout the year. I used several resources to compile this list including the following: previous shame lists, contributors lists of shame, conversations on twitter, Danny Peary’s film books, various film books by critics and of course the intimidating “to watch pile” (stop judging me unopened Phenomena blu-ray).

2018 Cinema Shame List

Touch of Evil – Orson Welles is a true blind spot in my cinematic viewing.

Malcolm X – Denzel Washington and Spike Lee.

Zardoz – I would say Connery is an icon however I’ve only seen his Bond films and his work from the mid 90s to his retirement.

Two Lane Blacktop – Everybody needs more Warren Oates in their cinematic diet.

The Thing – This will be watched, no matter this will be watched for 2018. It’s been on my list since 2015, I’ve owned the DVD for years and I’ve had the Shout Factory blu-ray for months. This will come off the list.

The Good, the Bad and the Ugly – Deaconsden discussion of the western genre in his 2018 Cinema Shame list has pushed this title onto my list. A genre that is sorely lacking in my catalog of watches. Also, this was a previous entry on past Cinema Shame statements.

Pale Rider – A discussion on twitter about Eastwood’s directing made me realize excluding stuff from the past 15 years and Unforgiven, I’ve watched very little of his directed films. Probably the least exciting entry of the group especially after watching Heartbreak Ridge and the first hour of Firefox.

Alien 3 – I like David Fincher and the first two Alien films.

Short Cuts – From the to watch pile and I’ve watched so little Altman.

Hell in the Pacific – Lee Marvin.

Pretty Poison – Recommendation from Danny Peary’s Guide for the Film Fanatic and a co-worker recommended this film within the past month.

Shame Statement 2018

Great to be a part of another year of Shame! I actually accomplished quite a bit. I knocked off a good deal of horror films with Friday the 13th being the big one I wrote about. I also watched and wrote about Straw Dogs which was a very unique viewing experience. Now here we are at 2018 and I have a new list of films to partake of for the first time. This year I want to try for a themed approach. This year I want to focus on westerns, my favorite genre. Not every Shame will be a western though. But I do want to add some more of this genre to my cinematic talking points.

Yojimbo/Sanjuro – Akira Kurosawa

The Hidden Fortress – Akira Kurosawa

The Shooting/Ride the Whirlwind – Monte Hellman

The Revenant – Alejandro G. Inarritu

Romancing the Stone – Robert Zemeckis

A History of Violence – David Cronenberg

Hang em High – Ted Post

One Eyed Jacks – Marlon Brando

McCabe and Mrs Miller – Robert Altman (pray for me here as I typically can not stand Altman films)

Pan’s Labyrinth – Guillermo Del Toro

Ghost in the Shell – Mamoru Oshii

Death Rides a Horse – Giulio Petroni

Wyatt Earp – Lawrence Kasdan

January Prompt: 2018 Shame Statements

2018 thought it could sneak up on us. Not so, you fargin’ icehole. This post may or may not have been written by Roman Moronie. And if you don’t know Roman Moronie maybe you should add Johnny Dangerously to your 2018 Shame Statement.

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It’s time again to consider your Shame! for 2018. Take a moment to review the new Cinema Shame modus operandi. Post/blog/share your Shame Statement before the end of January to be featured in the Cinema Shame monthly roundup. If you need some space to broadcast your plans for 2018, the Shame page is always open for your writing.

When you scratch off one of your Shames, post it wherever you like, share your link with Cinema Shame (via Twitter or email to cinemashame@gmail.com) and we’ll broadcast it to the moon… or at least Sweden so poor Roman Moronie can get a taste.

If you’re new to Cinema Shame and you’d like a sample from past years, here’s @007hertzrumble’s 2017 Shame Statement.

Create your list however you want. Consider friend recommendations, classics you’ve always meant to watch, AFI/BFI/IMDB lists, whatever movie guilt hangs on your conscience — take this opportunity to place your gameplan for 2018 on the Interwebs for all to see. Once it’s out there, you’re obligated to follow through.

For those Penitent Moviewatchers returning for 2018, welcome back. For anyone who has never participated in Cinema Shame, it’s good to have you aboard the Shame train. Embrace your penitence and kneel before the cinema greatness you’ve yet to discover.

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Cinema Shame in 2018

Dear Penitent Moviewatchers:

Cinema Shame will be undergoing a change of formats in 2018. The output from participating writers has dwindled, yet more people are participating in Cinema Shame than ever before. Shamers are shaming, but they’re not writing. Which is okay. Which is good! The point is to put in the effort to watch.

The Podcast, which first aired in 2017, marches on and continues to convert new listeners. We haven’t taken over the world yet, but we’re working on it. We can do better. We wrapped up Year 1 with episodes on Police Academy, The Godfather, Fatal Attraction, The Marx Brothers, Rocky IVI, and Friday the 13th. Look for upcoming episodes on Citizen Kane and The Bad News Bears. #ComingAttractions

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When we first began Cinema Shame, Nick and I thought it would be nice to have a central location to display all of our writing here on the Shame page. This worked out well in the beginning, but nowadays most people have their own platforms and their own blogs. Now we want to make it easier for everyone to participate in the Cinema Shame movement. 

Starting in 2018, we will be posting monthly Shame prompts. It doesn’t matter if you’re participating in a year-long shame plan or the monthly installments you can join the legions of penitent moviewatchers.

During the last week of the month, we’ll post a Shame prompt.

For example: “I love [insert director here] but I still haven’t seen [insert unwatched movie here].” 

Participating watchers/bloggers can take this prompt, watch their movie and post on their own website. (If you don’t have your own website, we’d be happy to supply space right here at Cinema Shame.) Each month it’s like a new Shame Blog-a-thon (a Shame-a-thon!). Merely tag @CinemaShame when you post or share your article and we’ll include it in our constantly updated monthly roundup.

I think that’s all the housekeeping I have for the moment. If you have any questions, feel free to email me at cinemashame@gmail.com or contact us on Twitter at @cinemashame.

January’s prompt is on the way… but I’ll give you a little hint before I post it:

It rhymes with “blame abatement.”

Happy New Year, everybody!

Love,

Cinema Shame

 

 

Episode 7: Rocky Part 2 / Raquel Stecher

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Raquel Stecher once again joins James on the Cinema Shame podcast to complete their conversation about the Rocky series with bits and baubles about Rocky IV, Rocky V, and Rocky Balboa.

How much of a role does nostalgia play in the enjoyment of the Rocky films? And does that even matter when sitting down to enjoy a film franchise? As we weave our way through the decline of Rocky, we talk Dolph Lundgren’s unholy bench press, the inexplicable creative decisions behind Rocky V, and the sweet and sentimental coda to the franchise. We play the inaugural “Hot Minute of Cinema Shame” game and wax romantic about training montages.

Subscribe on iTunes / Stitcher Radio

Direct download (right click, save as): http://traffic.libsyn.com/cinemashame/rocky2.mp3

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CREDITS:

Talking Heads:

James David Patrick (@007hertzrumble) – Host, lover of horror and crazy cinema challenges.

Raquel Stecher (@QuelleLove) – Classic movie blogger, workout and training aficionado.

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Music Contained in this Podcast:

“Living in America” – James Brown

“Hearts on Fire” – John Cafferty

“Redemption” – Bill Conti

“Go For It” – Joey B. Ellis

“The Final Bell” – Bill Conti

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Supplementary Links:

Raquel’s Out of the Past Classic Film Blog

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Recorded in October 2017.

Copyrights are owned by the artists and their labels. Negative dollars are made from this podcast.

Episode 6: Friday the 13th / El Cinemonster

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David aka “the Cinemonster” joins James to discuss his monstrous creation, the Hooptober Horror Movie Challenge on Letterboxd.com. Our host and guest then give birth to a pair of “baby Hooptober” lists to demonstrate the ever-growing social media phenomenon and give a few horror viewing recommendations to populate your own Hooptober lists.

Cinema Shame’s Halloween Special also flips the Shame script and places our host in the hot seat for his first viewing of Friday the 13th Parts 1 and 2 for a conversation and analyzes how a horror-loving child of the 1980’s somehow avoided the grandaddy (or at least the Great Uncle) of the modern American slasher genre. The conversation then turns to the historical origins of the slasher within film, literature and contemporary popular culture.

Subscribe on iTunes / Stitcher Radio

Direct download (right click, save as): http://traffic.libsyn.com/cinemashame/Hooptober1.mp3

 

CREDITS:

Talking Heads:

James David Patrick (@007hertzrumble) – Host, lover of horror and crazy cinema challenges.

David the Cinemonster (@ElCinemonster) – Horror lover, expert and Cinema Shame’s resident Dr. Frankenstein.

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Music Contained in this Podcast:

“Somebody’s Watching Me” – Rockwell

“Friday the 13th Original Theme” – Harry Manfredini

“Red Right Hand” – Nick Cave and the Bad Seeds

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Supplementary Links:

El Cinemonster’s Hooptober 4.0 Rules and List on Letterboxd.com

James Patrick’s Hooptober 4.0 Watchlist

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Supplementary Materials:

Theatre of Fear & Horror: The Grisly Spectacle of the Grand Guignol of Paris, 1897-1962

So Deadly, So Perverse: 50 Years of Italian Giallo Films

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Recommended Homework Films:

Bay of Blood (Mario Bava, 1971)

Your Vice is a Locked Room and Only I Have the Key (Sergio Martino, 1972)

Black Christmas (Bob Clark, 1974)

Deep Red (Dario Argento, 1975)

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Recorded in October 2017.

Copyrights are owned by the artists and their labels. Negative dollars are made from this podcast.